Lion’s Jaw was built out of a desire to bring artists together.
To work in close proximity.
To ask questions.
For dance-artists to spend time in duration together sweating and performing.
To catalyze a small change inside of ourselves.
To disassemble hierarchy and consumerism in the arts.
To learn from each other and to swap toolboxes with one another around performance and dance.

The festival was the brainchild of New Movement Collaborative an organization founded in 2015 by Sarah Mae Gibbons and Jared Williams to support, cultivate contemporary in the city of Boston.
Lion’s Jaw grew out of the continued investigation into how to create environments where risk, rigor + rebellion can happen and where the community can come together and make dance-work together.

Please see our staff page for more information on all the people involved with making Lion’s Jaw work!

FOUNDING STAFF

IMG_3094-e1443449683849Sarah Mae Gibbons (Executive Director/ Co-Founder/ Lead Stage Manager) originally from Athens, Ohio earned her BFA in dance and minor in education from The Ohio State University. She continued her training through a Yoga Teaching Certification and Thai Massage Level I Certificate as well as becoming a Licensed Massage Therapist. Sarah Mae is currently enrolled in The New England School of Homeopathy.
As an administrator, Sarah Mae holds experience managing and programing for non-profit organizations such as Green Street Studios and Urban Arts Space as well as running education and mentor programs such as “Green Works”, “Moving Target” and “Balans Workshops”. She also holds experience coordinating/volunteering/managing events through Wexner Center For The Arts, Non Violent Communication, Cambridge Performance Project, Artist in Context, Not Me! Inc, Shambhala Boston and many others. She is currently on the new Artistic Advisory Committee of Green Street Studios.
In 2015 she founded New Movement Collaborative, an organization dedicated to the cultivation of contemporary dance in Boston with fellow artist Jared Williams.
As an artist and educator, Sarah Mae is currently based in Boston, MA, offering massage and yoga sessions at Balans Inc, teaching dance to dancers of all ages at a variety of locations throughout the year locally and nationally. Sarah Mae performs and choreographs her own work, both independently and collaboratively. For her choreography she has received local recognition and continues to strive towards physicality and authenticity in all that she does.

10612902_10154912701275192_1574502441417190032_nJared Williams ( Artistic Director/ Co-Founder/James K. Spriggs  Scholarship Director) is a visual artist, dance-improvisor and dance-arts curator. In 2014 he founded Electric Fish, a nomadic studio which brings established and emerging teachers to the Boston area for three-day master classes. The curated monthly series, currently on hiatus, dedicated  itself to providing rigorous education in the fields of improvisation and somatics and to bringing awareness to Boston as a city to watch. Acting as both curator, organizer and facilitator, Jared has run over twenty workshops over two seasons, bringing dance-artists to Boston from NYC, Minneapolis, San Francisco, Montreal, Berlin and Israel.
He served on the board of directors at Earthdance and has studied throughout the United States with dance-artists such as Frey Faust, Heidi Henderson, Chris Aiken, Nancy Stark Smith, K.J. Holmes and others and currently teaches Contact Improvisation in Boston.
In 2015 he founded New Movement Collaborative, an organization dedicated to the cultivation of contemporary dance in Boston with fellow artist Sarah Mae Gibbons.
He is a believer in the power of movement, performance and the exploration of the physical self as both artistic practices and as tools to support healing, build community and to create political and social change. Jared is a native of Cambridge, MA, a father and a graduate of Rhode Island School of Design (BFA Ilustration ’95).

FESTIVAL STAFF

382233_2031157893701_594958610_nMolly Hess (Head of Registration) is a Cambridge, MA based dance artist, educator and administrator. Her creative work values process, collaboration, curiosity, and transparency. These values carry over into her teaching for Cambridge Performance project, and Arlington Dance Place as well as in her roles as director of Bearnstow Day Camp and curator for Electric Fish Studio. She is a member of Back Pocket Dancers. Molly received her B.A. in dance from St. Olaf College in 2012.

Screen Shot 2016-08-24 at 7.10.19 AMDelaney McDonough (Production/Performance Director) A New Jersey native, Delaney is a dance artist and improvisor based in Denmark, ME. Her choreographic work has included an evening length piece developed as an installation in the first annual Performance Lab Series at Colby College. The piece, Move: The Summer of 1963 (2012), relied on more than twenty student collaborators to create a mixed media dance theater piece. Delaney has also presented choreography, We Grew Up at Midnight, and an abridged version of her Honors thesis, The Aesthetic of Failure: Authenticity, Effort, and Imperfection at the the 2013 American College Dance Festival Association’s New England Regional Conference. In the summer of 2012, after many years at Fernwood Cove, a traditional girls camp in Harrison, Maine, Delaney attended the Bates Dance Festival Professional Training Program where she met fellow collaborator Cookie Harrist. In summer 2013, Delaney was a counselor for the Young Dancers Workshop portion of the Bates Dance Festival in addition to returning to the Professional Training Program for another inspiring summer. Delaney graduated from Colby College with honors in Theater & Dance.

Screen Shot 2018-05-21 at 8.13.05 AMJenna Pollack (Outreach/Press) is a Boston-based performer, maker, and educator. She dances in town with Bridge Repertory Theater, Alexander Davis Dance, and the Reciprocity Collaborative. She teaches for Salem State University, the Boston Ballet, and Urbanity Dance, among others. She has performed with Boston Dance Theater, Felina Theater Mannheim, Scottish Dance Theatre, The Metropolitan Opera, American Repertory Theater, Bryan Arias, Equus Projects, and BOP Montréal. Jenna has made work in collaboration with Dau al Set Productions and the Center for Innovation in the Arts at Juilliard, and is an administrator for Springboard Danse Montréal. She holds an M.A. with Distinction in Choreography from the Institute of the Arts Barcelona, a Certificate with Honors from Harvard Business School’s HBX CORe program, and a B.F.A. from The Juilliard School,